Toy making in school and home

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TOY MAKING IN SCHOOL AND HOME

M. I. R. POLKINGHORNE
THE COUNTY SECONDARY SCHOOL STREATHAM

LONDON, GEORGE G. HARRAP & COMPANY, 1916
     

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CHAPTER I - TOY-MAKING AND ITS EDUCATIONAL POSSIBILITIES

One's main object in teaching children how to make toys should be "to teach them how to make toys." Through their efforts to make a beautiful toy they may become more patient, more accurate, more observant, and more nimble with their fingers, but these virtues will come more naturally and readily if the teacher has but one object in view ; singleness of purpose is the secret of success.

Through classes in toy-making rightly conducted the children become more resourceful, more quick at finding the right thing for the right place, happier in some cases that is to say, the so called dull child, the child that has no gift for mathematics, no memory for languages, can often find in the handwork class the happiness of doing something well, of producing a praiseworthy and pleasure-giving piece of work.

It is very necessary to find occupation for backward children, who sometimes drift rather aimlessly through the school, occupation that will develop initiative and involve effort, occupation that will bring disappointments (so often one careless bit of work spoils an almost finished toy), but will also bring the joy of successful achievement.

The ordinary lessons English, French, etc. maybe said also to bring their disappointments and joys, but not in the same tangible way as the handwork lesson. The table that will not stand steadily because all its legs have not been carefully cut the right length teaches to a certain type of mind a more forcible lesson than the incorrect sum or French exercise.

Again, it is very necessary that one lesson period a week should be devoted to an occupation which is of the nature of a hobby; the ordinary history and geography lessons do not often suggest voluntary work for the children's leisure. Indeed, in many cases it is easier to train children to become future clerks and teachers than to train them how to use their leisure. Now handwork classes suggest leisure occupations. The children who begin to make their own toys in the lower forms for themselves, when older will want to make them for other little children, when older, too, they will begin to ask how to make useful articles ^writing-cases, medicine-chests, knife-boxes, soap-boxes articles very frequently suggested by their parents and much valued by them when made.

One need scarcely fear for the future of the child, however dull and mechanical her daily work as a grown-up person may be, if she has abundant interests in life if she can use and love to use in leisure moments hammer, saw, and file, or if she has some other healthy hobby. Still, for those who like the pleasant noise and pleasant mess caused by tools, it is hard to find a happier occupation than toy-making. A toy-maker becomes at once a collector of useful odds and ends, and a collector (that is, one who collects willingly the things he likes) is always a happy person; the toy maker becomes, too, the contriver, one who can adapt materials to different purposes, and the giver for the finished article must be disposed of.

The mere acquisition of knowledge forms the least important part of school work. A large number of facts in connexion with history, geography, French, etc., have rightly to be learnt by heart and are useful to the child in after life, but they do not bring with them necessarily wisdom, nor does the learning of them play such an important part in the child's development as the activity of the child in the handwork class does. Someone has wisely said, if education at school means nothing more to the children than a respectable routine and a few examinations successfully circumvented, then education is a failure; if besides that, it has enlivened the years and counted for something in the general joy of growing, then it has a real value a value which entitles it to a place among happy memories, perhaps even the highest place of all. Many of us perhaps feel in looking back on our schooldays how many good things we lost for the sake of learning some now forgotten facts; how many good things we lost to be first in class; we confused means with ends, we toiled over our history and learnt it to get full marks in the coming test (we should have toiled over our toy for love of making it and to produce as perfect a one as possible); in after life we would gladly tread some of the by-paths of know- ledge, have some hobby, but our rigorous system of training left us no opportunity in young days, and sapped the energy that alone would make it possible in after years.

No scheme of work then for schooldays must be so rigorous that it leaves no leisure for feast days. Some days, some hours must come back to memory, bringing not only their past happiness, but ideas for present occupation. The happiest days of youth are generally the busiest, days when one had something one really wanted to be busy about for its own sake, not for the sake of marks or for the sake of outstripping one's fellow-pupils, or for the sake of one's future.

This book on toy-making is not written to advocate the so-called 'primrose path in education,' the 'turn-work-into-play theory,' though undoubtedly the first chapters at least of this book will be attacked by those who fear that education is yielding or is going to yield to a popular clamour for ease.

Moreover, every teacher of handwork knows how little ease the busy children in her classes get in these classes they are never passive listeners or passive learners by heart. They see the need of accuracy, the labour necessary to produce it, they suffer for every mistake they make, they realize some of the joy and pain of creating, and, best of all perhaps, they realize the joy of work active, muscular work as distinguished from their ordinary scholarly work.

To return to toy-making (which is work or play, according to whether one dislikes or likes it) whether toy-making be taken in the school or not, the teachers will find it a useful hobby. Through it they can amuse themselves and renew their youth; through it they will have an enduring bond of union with their children.

Our knowledge of history and geography often fails to impress our children; they probably think we are a little foolish to burden our heads with so many facts that seem to have no bearing on to-day; but when we can use our hands and make a toy they see us with other eyes, we are really clever people worth cultivating.

If toy-making be taken as a form of handwork in school, one enlists at once the interest of the parent especially of the father the mother sometimes, not often, objects to the mess. This interest of the parents is a great gain; the father delights in doing a bit of the work sticking on the difficult funnel, sawing the hard piece of wood; child learns from parent, and parent from child, and in this way the father may again remember half-forgotten ambitions, half-neglected talents, and find in toy-making a profitable occupation, profitable mainly in the fact that any occupation which recalls to the grown-up person his youth, with its fresher outlook on life, must be wholesome.

Finally, if the handwork classes make the children more at home with themselves and with life, they will have done something; if they help them toward self-realization they will help them toward the joy the writer speaks of who says, "Joy of life seems to me to arise from a sense of being where one belongs, as I feel right here ; of being four-square with the life we have chosen.



CHAPTER II - GENERAL PRINCIPLES; MATERIALS

In toy-making in schools it is very necessary to design toys that can be made from materials which are easily obtained. The Board of Education in a report on handwork in the London elementary schools says: " The range of materials used is limited, as a rule, to paper, cardboard, clay, and 'prepared wood' or 'strip-wood.' It is perhaps unfortunate that these are almost entirely school materials,' in other words materials which are not likely to be much used outside the school, either in the child's home or
in after life."

There is truth in this to give the child too much c prepared material tends to make him less inventive, resourceful, and painstaking, and prevents him from continuing his work at home, where he has not got prepared material. Any series of toys made from the same material say a series of toys made from match stales or from 'stripwood' has very limited educational advantages. Toys made from a combination of waste materials are the best match-boxes, cardboard and wooden boxes of all sizes, mantle-boxes, reels, corks, broom-handles, silver paper, etc., can all play a part in producing an effective, even a beautiful toy. Most of the toys described in this book are made from so-called waste materials.'

With regard to infant school work, squares of white paper cartridge paper or ordinary exercise paper which the children can colour themselves are better than a too slavish use of the coloured gummed squares supplied to schools. Further directions with regard to materials will be given in connexion with the various toys. It is advisable to use as few tools as possible, both because the fewer tools the less expense and because the fewer tools the more thought and ingenuity required. To have a perfect instrument at hand for every need paralyses work, thought, and happiness. Most of the toys in this book are made if for little ones, with scissors, if for older ones, with hammer, saw, and file.

A graduated course is necessary. Generally speaking, the little ones from five to seven make their toys of paper, clay, plasticine, and raffia. Children from seven to ten can make simple wooden toys. Wooden toys are the best; many things can be done with wood, impossible with cardboard or paper, and they are so lasting.

Cardboard modelling is always difficult, and as a rule should not be attempted by children younger than nine. Except that they provide practice in accurate measurement, toys made of paper and cardboard by children of nine or older are disappointing, they crush so quickly. Quite strong toys can, however, be made from a combination of wood, cardboard, and paper.

If really strong paper toys are required (for example, the various articles of doll's furniture, the table and chair, etc., are more valuable if strongly made), an excellent medium can be made by pasting (using ordinary flour paste) two or three sheets of paper together and allowing them to dry thoroughly under pressure. Both or all three sheets must be pasted over before they are brought together to avoid subsequent curling. This will, however, prove too stiff a medium for children younger than five.

Skewers will be found very useful in toy-making. Any ordinary metal skewer is useful for boring holes in cardboard and corks, while the short meat skewers, three inches long (cost two pence per dozen), are an excellent substitute for bradawls when the children are making the early light woodwork models; later on in woodwork a fine workman's bradawl is required, or a drill.


CONTENTS

PART I
TOYS FOR LITTLE ONES: PAPER AND CARDBOARD

I. TOY-MAKING AND ITS EDUCATIONAL POSSIBILITIES
II. GENERAL PRINCIPLES; MATERIALS
III. PAPER WORK FOR INFANTS
IV. MORE PAPER TOYS
V. MATCH-BOX TOYS
VI. MORE COMPLICATED MATCH-BOX AND CORK TOYS
VII. CORK ANIMALS HARNESSED TO SLEDGES, ETC
VIII. MORE CORK TOYS
IX. CARDBOARD AND PAPER SHIPS
X. CARDBOARD AND PAPER TOYS
XL SIMPLE WOODWORK
XII. MATERIALS
XIII. SOME DIFFICULTIES IN TOY-MAKING
XIV. MERRY-GO-ROUND, SWINGING BOATS, AND GREAT WHEEL
XV. FLYING AIRSHIPS, GONDOLAS, AND BIRDS
XVI. FIRE-ENGINE, MOTOR-LORRY, AND STEAM-ROLLER
XVII. GIPSY CARAVAN AND BATHING MACHINE
XVIII. A TRAIN AND RAILWAY STATION
XIX. RED CROSS MOTOR AND TAXI-CAB
XX. SWINGING AND JOINTED ANIMALS


PART II
TOYS OF CARDBOARD AND WOOD: MECHANICAL TOYS

I. ADDITIONAL TOOLS
II. CAPSTAN, DREADNOUGHT, LINER
III. MOTOR-CAR, SWINGING CRADLE, DECK-CHAIR
IV. A TRAM-CAR
V. A CRANE
VI. WINDMILL, WATER-WHEEL, WELL
VII. DRAWBRIDGE AND SIEGE TOWER
VIII. WAR ENGINES PAST AND PRESENT
IX. A FIRE-ESCAPE
X. CASTLE, TOURNAMENT, AND FAIR
XL AN OLD CHARIOT AND SOME QUAINT DOLLS' FURNITURE
XII. RAILWAY SIGNAL AND SIGNAL-BOX
XIII. LIGHTHOUSE, TRANSPORTER BRIDGE
XIV. YACHTS AND BOATS: THE USE OF THE CHISEL
XV. THE FRET-SAW
XVI. LITTLE GYMNAST, DANCING CLOWN, ROCKING ANIMALS
XVII. MOVING FIGURES
XVIII. SOME OLD-FASHIONED TOYS
XIX. LITTLE SWORDSMEN
XX. SOME MORE FRET-SAW TOYS
XXI. TOYS WORKED BY SAND
XXII. TOYS WORKED BY WHEELS, ETC
XXIII. KITES, GLIDERS, AND AEROPLANES
XXIV. MORE OLD-FASHIONED TOYS
XXV. LIFT, PONT ROULANT, TOWER BRIDGE
XXVI. SOLDERING. SCREW STEAMER. TOYS WORKED BY WIND AND BY CONVECTION CURRENTS
XXVII. BUILDINGS AT HOME AND ABROAD
XXVIII. A THEATRE


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